If a screenwriter were to come up with a storyline in which a tech tycoon drowns when his luxury yacht is hit by a freak storm just two days after his co-defendant in a multibillion dollar fraud trial — for which both men were recently acquitted — is fatally hit by a car in another set of ostensibly unsuspicious circumstances, they might very well be told this was rather too implausible for viewers to buy.
如果一個(gè)編劇想出這樣一個(gè)情節(jié):一位科技大亨在他的豪華游艇被突如其來(lái)的風(fēng)暴襲擊后溺水身亡,而就在兩天前,他在一起數(shù)十億美元欺詐案中的共同被告(兩人最近都被無(wú)罪釋放)在另一場(chǎng)表面上沒(méi)有可疑之處的車禍中喪生,那么他們很可能會(huì)被告知,這個(gè)情節(jié)對(duì)觀眾來(lái)說(shuō)太不可信了。
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